Awards 2022

Update

Preliminary Round Results

The following works were selected from 320 entries.

Total entries : 320
Award-winning works : 12

Award-Winning Works

Grand Prize

1 million yen

Sangetsu Award

50,000 yen

  • The Sangetsu Award was created as a special award that is given to one finalist work.
    It is voted on, by the employees at Sangetsu, based on which entry they want to turn into a product.

『 The sky, or the universe 』

Shion Minamisawa / Kounosuke Sawada

Details of the works

Click to watch the video presentation.>

Comments of the award winners

Two different things floating in the firmament are in the motif; what blocks the light and what emits the light. A negative/positive-inverted image of the sky is superimposed, silver-vapor-deposited and combined with gray dots. We aim to create a more diverse way of stirring up our imagination.

Minamisawa: I think that our wish to materialize an idea has led us to receive this award. Thank you very much.

Sawada: I constructed the story and did literature research. I'm really glad that we won the award. I would like to continue to make fun and wonderful things.

Judges’ Comments

Ryosuke Uehara
My first impression, it is very beautiful. It has a good texture and a "feeling".
Izumi Okayasu
I think the colors are purely beautiful. Like traditional Japanese space, the foil-decorated reflection of light gives a sense of something subtle and profound.
Kentaro Yamazaki
In the motif of nature and phenomena, the depth is increased by shifting the subject of the work. In that sense, it is an excellent work.
Nozomi Zama
It is a work that I was interested in from the first screening. Layers of color are created to create an atmosphere that is not colored.
Shosuke Yasuda
It is highly accomplished. I wish it could be commercialized and keep this ambience. I think it would be wonderful and worth a try.

Award for Excellence

500,000 yen

『 cache-cache 』

Rio Hamada

Details of the works

Click to watch the video presentation.>

Comment of the award winner

I dripped watercolors and mingled various colors and shapes without intending to create a specific pattern, aiming for something that viewers could freely imagine. I wanted to encourage dialogue and sharing among the viewers.
It was my first time to enter such a contest, so I am very honored to receive this award. I will continue to study design using this honor as a springboard.

Judges’ Comments

Ryosuke Uehara
I suppose that this is good for children's rooms. If it is monochrome, on the other hand, there would be more possibilities for how to use it.
Izumi Okayasu
How cute it is! I feel there is a cuteness that made me choose it as an excellent work, not a theory.
Kentaro Yamazaki
Personally, it's the best. The approach is very modern in giving viewers empathy like memories and in leaving it up to their imagination.
Nozomi Zama
The vividness of the colors is impressive. There is a feeling of cheerfulness and peace of mind.
Shosuke Yasuda
This design appears unique compared to the other finalist works. It has cute colorful spots and its fun-filled atmosphere goes straight to our hearts.

Judges' Award
(Uehara Award)

150,000 yen

『 Calligraphy work 』

Manbou Tabuchi

Details of the works

Comment of the award winner

The so-called “dripping ink marks” give calligraphic expression in bold and vivid strokes. I took the characters from the hanging scroll of the Heart Sutra by Yaichi Aizu. I trimmed them so that they could not be read, and laid them out checkerwise. I put the spirit of the Heart Sutra into this work. There may not be many applicants of my age, but I would like to try again next year.

Judge’s Comment

Ryosuke Uehara
The character sampling process is excellent, and the concept of handling calligraphy is solid. It is good as typography, and the finish itself is stylish and modern.

Judges' Award(Okayasu Award)

150,000 yen

『 CLOUD 』

Hiromasa Kojima

Details of the works

Comment of the award winner

I used waste material (selvage thread) that ends up in making fabric wallpaper, and pasted the threads together by hand. Designs with the mackerel sky pattern do not have the same expression. I hope that this award will be an opportunity for people to know more about textile wallpaper.

Judge’s Comment

Izumi Okayasu
The idea of using selvage thread (waste material) is in line with the times. I would like to say much for it in addition to the effort of producing this work. The finish is also beautiful.

Judges’ Award
(Yamazaki Award)

150,000 yen

『 365 』

Konon Sato

Details of the works

Comment of the award winner

Getting the hint of ink-flow marbling, I drew the expression of a certain moment as design. The flow is lateral on repeat. I thought that it could accentuate the walls of stores and outlets. In receiving this award, I would like to thank the people who supported me in this production.

Judge’s Comment

Kentaro Yamazaki
It is overwhelmingly free-flowing and refreshing. Even if there is not a clear background or concept behind, it's good to stand in front of this work and feel the power of the object.

Judges' Award
(Zama Award)

150,000 yen

『 AMIGAMI 』

Yuko Kubai

Details of the works

Comment of the award winner

I opted for an undertone based on natural landscape photographs and placed a vivid lattice pattern on the base. Hoping that the adjacent shades become synchronized, I designed this wallpaper with expansiveness and depth. The other award-winning works are inspiring, and I have learnt much from them for my future works.

Judge’s Comment

Nozomi Zama
It well expresses the "ambience" in the space where people spend time. The design is suitable to imagine its application in actual spots, with other color variations for instance.

Finalist Award

20,000 yen each

『 Trace of the light 』

Hinako Matsui

Details of the works

Judge’s Comment
The idea is understandable. It would have been nice to have a clearer picture of the final finish. (Yamazaki)

『 PATCHWORK 』

Hikaru Yamamoto

Details of the works

Judge’s Comment
The idea is unique. The theme of the design would be how to make users experience it. (Yamazaki)

『 whitecaps 』

Kazunori Sakurai

Details of the works

Judge’s Comment
I feel that the interspatial image is convincing. It is important to have such a reality. (Uehara)

『 Ame-Tsutsumi 』

Hiromi Matsumura / Suguru Nakamura

Details of the works

Judge’s Comment
I feel that the design and its details, expressed only by specks, are simply beautiful. (Zama)

『 face 』

Yuka Tanaka

Details of the works

Judge’s Comment
At first glance, it is original. I think it has a kindness that could be used in various places. (Okayasu)

『 difference 』

Yunoshin Ayukawa / Kako Ikeda

Details of the works

Judge’s Comment
I find it interesting that the contemporary artistic concept of individuals in a group is graphically expressed. (Yamazaki)

Judges’ Review

Ryosuke Uehara

Representative of KIGI Co., Ltd., Creative Director/Art Director

This is my fourth time serving as a judge. Every year, the level of the submitted works has got higher, and I am very impressed with their finish quality. On the other hand, this time, the average has increased, but I have the feeling that there was nothing tremendously outstanding. Though this be, I saw "365" (Yamazaki Prize), which looks like something between art and wallpaper, and I felt that it states a new way of wallpaper. It is not intended to serve as general wallpaper, but brings up an issue that would shake wallpaper itself. An applicant threw such a thing at us, and I think that it is very meaningful for the purpose and value of this event. Annually, we can see "works that appeal to us" with various angles and shapes. If many of them appear in the future, therefore, it will be an opportunity to get the awards and wallpapers more exciting.

Izumi Okayasu

President of Izumi Okayasu Lighting Design Office,Lighting Designer

I feel that the challenge for a new way of wallpaper has been modest. As a result, the reality and persuasiveness for quick commercialization are often noticed, and we can see that the applicants are very serious about the screening criteria.
That said, there are limits to creating stereotypical wallpapers with graphics alone. Wallpaper is for designing a space, so I would like to see the wallpaper enrich the space. I expect more from the wallpaper. Many of the answers, however, are contained in a partially enclosed space. Hopefully, there would be a feel about the continuous richness of the whole. Open space is continuous in many cases. It would be interesting to pay attention to the relationship between the space you are in now and the next space.

Kentaro Yamazaki

Representative Director of YAMAZAKI KENTARO DESIGN WORKSHOP Co., Ltd., Architect

We are entering an era in which it is difficult to design with respect to social responsibility and ethics, with environmental issues at the forefront. Even so, we could see the creators design freely while being happy. This time we saw "Joy of Design".
Now that the technology and techniques have matured, it is difficult to choose this one from among many things. The same is true with wallpaper. Users also have matured, and it can be said that there is no such thing as overwhelming design anymore. But I think it important that people from different genres discuss and decide "let's go with this”. Such action and process are key especially in the current background.
It is interesting to find some works that strongly feel social. In that case, however, the presence of the designer becomes relatively small, and there is little that strongly appeals to us. Including that, I feel once again the difficulty of the act of design.

Nozomi Zama

President of ZA Design Inc., Interior Designer

Through the Wallpaper Design Awards this time, I myself was able to think deeply about the importance of design for space. Many of the submitted works reflect the present age, such as concept of nature, borderlessness and recycling. But some works are very impressive and attractive because they express the fun and rich moments as if they had a will.
I am familiar with spatial design, and then I saw the works that are generally arranged digitally. During the judging period, therefore, I kept on asking myself what original beauty and universality are.
Overall, I think that the excellent works, closely evaluated and finally judged good, have proven to be good in ideas, expressions, finishes, and feasibility.

Shosuke Yasuda

CEO of Sangetsu Corporation
* Chairman of Judging Committee

"Joy of Design", the theme of the Sangetsu Wallpaper Design Awards, is also our brand statement. We at Sangetsu want to cherish the joy and enjoyment of design.
Day in, day out, we search for what design means and how to create value through design and tie it in for revenue increase and social values. Through broad and deep design capabilities, the company will grow and contribute more to society.
This event, now in its sixth year, has been one of the keys to these activities, and we intend to keep it on. As noted by the judges, it is also necessary to hold the event not just for limiting the wallpaper in its existing frame but also for showing the wallpaper design in a broader sense.
We look forward to receiving many applications from various people next year as well.

Event Report

December 15, 2022

The final round of judging and award ceremony were held on December 15, 2022.

Short movie of final round of judging and award ceremony

Reports on final review session and awards ceremony

The Sangetsu Wallpaper Design Awards is now in its sixth year. This time, architect Kentaro Yamazaki and interior designer Nozomi Zama are two new judges. By viewing the works from more diversified and multiple perspectives, this is a new step in expanding the possibilities of awards and wallpaper.

On December 15, 2022, the final round of judging and ceremony were held at the Sangetsu Shinagawa Showroom. We invited 15 finalists from 12 groups to the venue, and we were able to proceed with an enthusiastic judging session.

There were many things that had been difficult to understand in the initial screening with only the submission boards and concepts. In the presentation video and Q&A session where we could learn about the applicants’ thoughts and ideas, the judges seemed to be surprised and impressed by each of the finalist works.

The finalist works are conceptual, well finished, and have a solid reality for commercialization. They were discussed with enthusiasm during the selection process, and the decision to win the awards was difficult this time.On the other hand, it was pointed out that there is a tendency to emphasize the concept and story. We also heard honest comments that the judges wanted to receive the artists’ thoughts and passions from their works themselves because of the times of uncertain situations.

"We are waiting for a work that will shake the wallpaper itself," said judge Ryosuke Uehara. We at Sangetsu are also looking forward to many applications also in 2023. We are expecting more new "Joy of Design" works in order to further expand the possibilities of wallpaper.